Barnum Hall's design goes
way beyond those of a traditional high school theatre.
Originally known as the Santa Monica Civic Auditorium, it was designed
by the firm of Marsh, Smith & Powell to be a cultural center to the
Santa Monica community, hosting concerts, plays, musicals, even opera,
ballet and guest solo artists.
A classic model of Public Works Administration streamline moderne style,
the structure bears all the hallmarks of a style associated with steamships
and deco movie theaters -- rounded corners, horizontal banding and porthole-like
windows in the front doors. Even the side walls of the chairs are stamped
with the name of the school in a moderne typeface.
W.F. Barnum, after whom the hall is named, served as Santa Moncia High
School principal from 1916 to 1943 (and, per rumor, is a distant relative
of the fabulous Phineas T.) "He was [here] forever," said Jean
Sedillos who has helmed the "Restore Barnum Hall!" project.
"The guy was a fixture." He spent long hours with architects
Marsh, Smith and Powell, poring over the designs.
Doors opened in 1937. At that time the building was still unfinished.
Developers had run out of money, and the WPA refused to give them anymore.
The organ grille (behind which the organ pipes sit) was never manufactured.
Nor were there ever any seats in the mezzanine.
"Until now, [the organ pipes] were covered with chicken wire,"
Sedillos noted to the Ocean Park Gazette, "some sort of industrial
mesh."
In lieu of the custom seating, the mezzanine was "papered"
with chairs from a 19th-century venue. "Some theatre was going out
of business in Santa Monica so they donated these Victorian seats that
don't match." The seats are narrower ("People were much smaller
then"), and boast metal racks underneath -- "metal things that
held men's hats."
But there was money for art. Eminent Santa Monica artist, Stanton MacDonald-Wright
directed leading WPA artisans to create such works as the Viking mural
on the fire curtain and the mosaic in the lobby. Additionally on the front
facade of the hall is a concrete bas-relief of a comedy-tragedy mask and
musical instruments portrayed in the art deco style that was preeminent
for many public buildings in the 1930's. Interior public areas of the
building contain two noteworthy pieces of MacDonald-Wright artwork, a
fire curtain mural and a large mosaic piece. The fire curtain mural is
titled “Entrance of the Gods into Valhalla.” The mosaic piece
in the foyer is called “Landing of the Vikings in Vinland.”
FYI - The Santa Monica High School sports teams are called the Vikings.
“I did that because that's what the kids wanted there,” noted
MacDonald-Wright in an interview with Betty Lochrie Hoag from May 5, 1964.
“And then, of course, the mosaic is just the Vikings landing on
the shore (let us say) of Santa Monica. And did you know that the gold
and silver in that is real gold and real silver? There's no monkey-business
about it! Those golds cost the government something!!"
When Stanton Macdonald-Wright arrived in Santa Monica in 1900 at the
age of 10, Santa Monica was 25-years old and had only 3,000 residents.
Always an iconoclast, Macdonald-Wright set out on a singular road as a
boy and never wavered. Self-educated, astonishingly self-confident, contrary,
he not only created a diverse, singular and influential body of work,
he changed the course of American art.
Macdonald-Wright, with fellow American painter Morgan Russell, fathered
the Synchromism movement. Convinced that color and sound were equivalent
phenomena and that one could “orchestrate” the colors in a
painting the way a composer arranged notes and chords in a musical composition,
they developed a system of painting based on color scales. The system
entailed constructing form and depth in a painting through advancing and
reducing hues. Their ensuing “synchromies” were some of the
first abstract non-objective paintings in American art.
Macdonald-Wright and Russell exhibited their new aesthetic first in Munich,
then in Paris in 1913, and the following year in New York. Synchromism
became the first American avant-garde movement that was recognized in
the international arena.
Macdonald-Wright returned to Los Angeles in 1918 and quickly established
himself as the foremost modernist in the region, and encouraged the development
of a distinctively West Coast response to modernism.
He taught at the Chouinard School of Art (now the California Institute
of the Arts), directed the Art Students League of Los Angeles, lectured
and published his ideas on art aesthetics and philosophy, and eventually
taught at UCLA. He is also credited with organizing the first exhibition
of Modern Art in Southern California, the 1920 Exhibition of American
Modernists at the Los Angeles Museum of History, Science, and Art (the
forerunner of LACMA).
L.A art critic Merle Armitage described Macdonald-Wright as “a
formidable man.” Distinguished director/writer John Huston, a most
formidable man himself, once said, “S. Macdonald-Wright furnished
the foundation of whatever education I have.”
The Great Depression, which seized America in the 1930s gave Macdonald-Wright
a unique opportunity to create some large-scale works in Santa Monica
- including the murals in the lobby of the Santa Monica City Hall, the
fire curtain mural and designing the mosaic in the lobby of Barnum Hall,
the theater on the Santa Monica High School campus, and an extraordinary
mural cycle in the Santa Monica Public Library, the most extensive such
project ever undertaken in Southern California. (When the old Public library
was torn down, the mural was placed with the Smithsonian Institution where
it has resided ever since.)
Architect Norman Marsh is best known for designing the many sculptures,
plaques, reliefs, murals, and fountains at USC, several buildings on the
UCLA campus and the founding buildings in Venice, California in 1904.
One of Barnum Hall's additional designers, Henry Alfred Buxton also worked
on the design of (at the time) the Grauman's Chinese Theatre, now Mann's
Chinese Theatre.
After sixty years of service, Barnum's portholed doors were closed in
Aug. 1997. The rigging and the lighting system had become dangerous, from
wear and lack of maintenance.
It was agreed that Barnum Hall would go through a five-year, $8 million
in restoration. In addition to renovating the exisiting building, the
walls were bent and baffled to remove an annoying echo.
"They didn't know much about acoustics in those days," Sedillos
offered.
Organ chambers are being refurbished to house a 1920s Wurlitzer -- the
kind that ceased to be built when talkies came in. The organ was donated
by Samohi alumni J. B. Nethercutt. The Los Angeles Theatre Organ Society
has agreed to maintain the instrument in exchange for being allowed to
use it for two organ concerts a year.
Upon restoration, the property was re-landscaped, and foliage around
Barnum Hall now includes six Washingtonia robusta palms, a multi-trunk
European fan palm, two giant birds of paradise and pygmy date palms.
“Landscaping a beautiful building like Barnum has been a labor
of love for all concerned,” stated Santa Monica High School Campus
Beautification Committee co-chairs Judi Bloom.
Barnum Hall, like Santa Monica City Hall, is another fine example of
PWA Moderne architecture. The Public Works Administration, under President
Franklin Delano Roosevelt, spent over $6 billion on various public works,
such as public buildings, bridges, dams, and housing developments, securing
our nation's infrastructure while combating unemployment. Under the administration
(1933-39) of Harold L. Ickes, the PWA completed a great many public projects.
President Roosevelt's reorganization plan of 1939 made the PWA a division
of the Federal Works Agency. The PWA was liquidated in the 1940s.
Santa Monica High School Campus
601 Pico Boulevard, Santa Monica, CA 90405
Box Office: 310-458-5939
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